Posts mit dem Label Jazz music werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Jazz music werden angezeigt. Alle Posts anzeigen

Šaban Bajramović - The King of Roma music

Šaban Bajramović is the most prolific and the most celebrated Roma singer, composer and poet in the Balkans. Among thousands of articles and studies written throughout the world about this author, there is not a single one which does not link his name with the expression "The King of Roma music".

Šaban Bajramović was born on April 16, 1936 in Niš (Serbia). He almost did not attend the school while picking up musical education, alike many of his people, on street.


When he was nineteen, he deserted the army because of love, and later was sentenced to three years imprisonment at the Goli Otok isolation facility on an island in the Adriatic sea. However, as he told the military court that there was no sentence long enough for him to serve it, the sentence was extended to five and a half years.

However, while serving his sentence at the Goli Otok facility, Šaban Bajramović founded a prison band which played, among other music, jazz, Louis Armstrong and Frank Sinatra songs, as well as Spanish and Mexican melodies. Nowadays, he says that Goli Otok was his life-university, where he formed the way he thinks. He made his first record in 1964, and nowadays, his discography consists of some twenty albums and more then fifty singles. He wrote and composed, as he said, about seven hundred songs. For more than twenty years, he has led “Crna Mamba” (Black Mamba), touring half of the world with the band. Upon invitation of Jawaharlal Nehru and Indira Gandhi, he visited India, where he was named for The King of the Gypsy World Music.

Dejan Petrović, pobednik Guče i majstor trube

Dejan Lazarević: Uskoro će svetlost dana ugledati novi CD sa specifičnim balkanskim zvukom koji je Lazarević radio u saradnji sa popularnim čačanskim bendom (Prilog: http://www.citybox.rs/index.php?str=muzika&cd_id=341).

 
Dejan Petrović već spremio repertoar

- Nastupićemo verovatno u nešto modernijoj varijanti na ovogodišnjem Saboru trubača. Naravno, srpska tradicija je deo svakog našeg nastupa, ali ove godine ćemo koncert obogatiti novim numerama, veoma zanimljivim. Planirano goste, u svakom slučaju obećavamo odličnu zabavu i kvalitetan program - kaže Lazarević. On dodaje da bi ga radovalo da u Guču dođu zvučna imena poput filmske dive Džulije Roberts, pa ako se to obistini, Lazarević će kao i njegov kolega biti spreman.

Dejan Petrović u Vršcu Najmlađi i višestruki pobednik Sabora trubača u Guči i prva truba sveta Dejan Petrović održaće sa svojim Big bendom veliki koncert u hali “Milenijum” u Vršcu 10. marta. - Kao i sve dosadašnje, i ovaj koncert posvećujem svojoj ćerki Jovani, najvećoj radosti i najvećem pokretaču u životu. Mnoge sam želje ispunio, ostala je još jedna, a to je svetska karijera. Želim da autentičan zvuk srpske trube pronesem svetom - kaže Dejan Petrović. 


S. M. - Imamo repertoar i za popularnu glumicu. Samo neka dođe, biće oduševljena - poručuje Lazarević. Treći Dejan - Jevđić, upotpuniće muzički nastup velikana trube. Najmlađi u svetu nagrada za izvođenje na limenim instrumentima Dejan Jevđić je sa orkestrom “Zao Taro lajt” prošle godine podigao Zlatnu trubu Sabora. - Radimo predano. Svakodnevno vežbamo za Guču, a mene posebno raduje činjenica da ću nastupati sa imenjacima Lazarevićem i Petrovićem. 

Moramo za taj koncert da odaberemo najbolji repertoar i budemo posebno dobri. Nema sumnje, ljubiteljima trube ostaće u pamćenju planirana svirka jer nagrade najbolje govore o kvalitetu trubača - kaže Jevđić. Koncert trojice Dejana, trubačkih superstarova, novina je ove godine. Dosad su najbolji svirali na ponoćnom koncertu, a “Tri D” upriličen je kao poseban poklon organizatora ljubiteljima trube.

Izvor: http://www.blic.rs

Pečat Dragačeva - Zoran Hristić

Ljubazno zamoljen da napišem nešto o Dragačevu, odnosno o Saboru trubača (pa zar to nije jedno te isto!), našao sam se u čudu, jer to je slično kao kada bi me neko zamolio da napišem ljubavno pismo! Međutim, ipak ima logike. Dragačevo, Guča, sabor, pesma i ritam moje su stare ljubavi. 

Kada se piše o ljubavi, biraju se reči, dovoljno lepe da se zaboravi svakodnevica, da se utone u nešto nalik na san i izbegava se reč ''ali'', jer sreću ''saborišta'' ne sme ništa da pokvari. Čovek se, po prirodi stvari, vraća onome što voli... 

Zaljubljenik Sabora ima tu sreću da to može da čini svake godine, da to jedva čeka svake godine, a da pri tome u slavlju i pravim salvama zvuka zaboravi da je još jednu godinu stariji. I tako svake godine čeka ga jedna umivena, nasmejana i trešteća Guča, koja ga slatko umori, promukne, ''budilicom'' razbija mamurluk, natera ga na radost i razmazi srećom.

Provodeći vreme po zagušljivim studijama za snimanje muzike, žvaćući muku svoga posla, u svome nemiru često se setim Guče i njenog zvuka od iskona. Tada shvatim koliko tome pripadam, odakle sam i gde ću biti. U retkim časovima prividnog mira i ne pokušavam da nađem zvuk iz Guče, on sam nadolazi kao obeležje jednog naroda. Sabor u Guči je pečat Dragačeva i prsten našeg venčanja sa trubom. 

Truba u Dragačevu nikada ne svira ''krivo'', jer dostaojanstvo ljudi nameće pravila ponašanja zvuka, koji se tri dana rasplamsava do onog ''prometejskog trenutka'', kada nam se od veličanstvenosti zajedničkog sviranja ''Sa Ovčara i Kablara'' izmiče tle pod nogama, pali krv u venama i stiskaju pesnice u slavu naše ljubavi prema slobodi.

Zoran HRISTIĆ Otvaranje 9. Sabora 1978.

Shake it, Guča - Matija Bećković

It is not habitual for the host to speak, except if hosting the Trumpeters Festival in Guča, where every guest becomes the host from the moment when he enters the world capital of trumpet. As the host among hosts, I asked how long should I speak. They answered like true hosts do – tell us how long you would like to speak. Well, then, with permission – listen and hear!

The trumpet has been in use by people and angels since ever, and never and nowhere without good reason. Here, in Guča, the trumpeters are among the first ones to take into their hands the trumpets, and they do so with one reason more.  They say that the first trumpet descended to Guča looking for a place from where it could be heard the farthest. All her sisters followed her in flocks and jointly thundered into the chest of Serbia.

The call of the trumpet made all that sounds and tunes in, all the quivers and joining quivers on that loud side with which all the sides are linked, all the languages, the skies and the earth, to start roaring, storming and weeping.

The people and those musicians without scores and those with musical notations in their soles swarm to follow the sound. And the sound which makes you tremble, is the sound of the mother whose son you are – so says the poet. So it happened that since the Festival in Žiča we perhaps did not have a more joyful festival than the Festival in Guča! Life seeks an exit, and the sound seeks its rights.

 The walls destroyed by the trumpets of Jericho, are destroyed also by the trumpets of Dragačevo, and this has been going on for forty two years now. In some places they call it Woodstock, in others Mariachi, or Band-aid, or Exit, but everybody knows that Guča is the exit and that the original sounds better.

What many intellectuals do not know, Serbian peasants did not forget. It is better to blow a trumpet, than to sniff glue! Therefore, we hardly do have something more urban and more superior than the Trumpeters Festival in Guča. Obviously, the world Festival in Guča is Serbian contribution to globalization. Namely, if we would join the European Community without our tunes and colors, without our name and memories, how would they know who came to them and what they brought with them?

From the old to the new era, from the goose-feather pen to the computers, from calls across across the hills to the mobile phone and e-mail – everything that was ever created has still been in the process of transformation and creation. And this is not a Festival, but rather a volcano of health and beauty, which was activated from the heart of Serbia. And new, young volcanoes always become active where the old ones were active, too.

There is nothing we did not use to make music with: the leaf, the comb, the glass, the hair, the nails, the fingers, the horns, the belt, the stones, the eye-lashes, the mustache. There is no tree from which we did not try to make a trumpet. And there are no two leaves that did not differ, nor two stones which did not make echoes in a different way. And everything that we see on the Earth, are instruments of the big and glorious people's philharmonic orchestra. And to those trumpets which are today in Guča responding to the sun, this is what we must say: I know you, trumpet, when you used to be a willow tree!

The self-willed voices, the stubbornness of accents, the individuality of tunes – they will never cease to live and move human hearts. The biggest achievements of mind and hand which belong to the general spiritual property of mankind, all the immortal things which Earth gave to the skies, it related to the people and multiplied with the people!

Poets compared our embroideries with the wistfulness of Bach's and Schuman's solo violins. We know that embroidery, national costumes, folk dance, rituals, habit are also symbols with many meanings. But hundreds of thousands of participants in the Festival in Guča come to enjoy, dance and sing, and do not listen to interpretations!

Modern man has reached far, but it seems as if he noticed before reaching the aim that he did not take his heart and his soul with him.

And now, without these two, he does not care about the entire world. And this is where the deeper substance of the Festival in Guča is hidden. Not only by returning to oneself, but returning to joy and to the sense of living.

The State is what its music is – said Confucius 500 years B.C. If we only could say this for Serbia – how well off we would be! It is unbelievable that the State can be second-hand, and music original and authentic.
Throwing garbage to the wells is one of the biggest disasters of our spiritual ecology. Famous is the case of the shepherdess which happened right here, sixty years ago. She allegedly started suddenly to call somebody from the Ovčar and Kablar mountains whose name nobody has ever heard before and to ask him nothing else but when he will be coming to Užice, without asking why he should be in Užice and whom he has there. This is how one of the most irrational creations emerged, which was sung for decades with most disastrous consequences. And nobody was wondering about those who forged this song, they were rather persecuting those who memorized the original.

Thanks God, everything ended well and at the 42nd Trumpeters Festival in Guča we heard the original version as if such wonder had never existed! Hence: Serbian Principle, accept us among the Serb people! Welcome and come with luck – and leave with even more luck!

Shake it, maple!
Matija BEĆKOVIĆ, poet and novelist Letter of the host at the opening of 42nd FESTIVAL 2002nd
 
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